Q&A, DNA and A List

I knew this day would come...the day that I would move EVERYTHING over to one clean WordPress spot (my website and my blog). But it hasn't come without it's challenges (trying to reroute my feedburner to the new blog so you all still receive The Lit Coach's Guide in your inbox). I'm a little sad - I started out here on blogspot and it's super easy to work with and yet....WordPress is so cool! So bear with me, I'm double posting until I can figure out where the problem lies (if you know, please, feel free to share a solution). 

So here's yesterday's post!

Happy Wednesday, dear writers!


I have updates.

First, I’ve moved my Q&A with The Lit Coach column to LitReactor, a new online literary website, magazine and writers’ workshop – it’s a fabulous community and I’m really enjoying the wide swath of writers the site has attracted. The column is updated twice monthly. In this issue’s Q&A I de-mystified the querying process for those who are approaching agents with a book series and directed another writer toward building his writing portfolio rather than approach an agent too soon with his work. Check out the Q&A here. And while you’re there, take a look at some of the great articles! I particularly loved,Submit Yourself: A Submissions Calendar is a Smart Idea, by Hanna Brooks Olsen; and Jon Gingerich’s latest craft article, Which P.O.V. is Right for Your Story is good too.

Second, I’m teaching a class for LitReactor – Character DNA: The Invention, Discovery and Birth of Stronger Characters (LitReactor members now receive 20% off the class if they sign up by Friday the 14th). I developed this 4 week course for LitReactor based on the character development one-one-one workshops I take my private clients through when they come to me with stalled manuscripts or finished manuscripts agents aren’t quite connecting with. The problem? Lack of clarity and development with the main character is always the main culprit. So in this four week course, I will invite my students to pluck their main characters out of their manuscripts, pin them to a cork board and start cataloging what makes that character unique – in broad strokes at first, but as we dig into the course, we’ll examine:

• Your character’s desires and motivations
• The main obstacle(s) that stand in the way of your character getting what they want
• What’s at stake if your character doesn’t get what they want and what happens when they do
• How these elements lead your characters toward their climax and resolution

And it’s quite a deal, too! The 4 week intensive workshop is $295.00 (plus 20% off if you sign up by Friday the 14th). I’ll be there asking you questions and giving you individualized feedback the whole way. Come join me. Register here.

Third, I’m honored to be listed on Robert Lee Brewer’s (from Writer’s Digest) 2011 Best Tweeps for Writers to Follow list. I share the space with some wonderful industry pros and writers I respect including lit agent Rachelle Gardner, former agent and author, Nathan Bransford and publishing world maven, Jane Friedman. Thanks, Robert!

And that’s all for the updates, writers.

Wishing you good words and enough time-

TLC